At various times in my life, I've wanted to become an actor, a novelist, a comic-book writer, etc. I did not become any of those things; but I'm amazed at how several of the people I've known have wanted to become a figure in the arts -- and then went on to do it. They did become published novelists, successful comic book writers -- and yes, actors.
Into the latter category falls a friend of mine from Sharpstein Elementary School and Walla Walla High School, Mike Walsh. When we were in Sixth Grade together, Mike was into films, theater and cartooning; and wanted to be an animator and an actor. Several years ago, he worked as a TV animator in LA; and he is now living in New York and acting under the stage name of Mickey Pizzo.
I saw him in the credits of last Sunday's episode of the Sopranos (you know, the one where Tony Soprano establishes that he is the most selfish bastard ever to be depicted as the lead of a TV show, one who will do anything to eliminate an inconvenience . . . . ) It's always a shocking paradigm shift for me to see someone I actually know join the little people inside the glowing TV box.
The scattershot musings of a Los Angeles appellate attorney and devotee of popular culture
Showing posts with label TV. Show all posts
Showing posts with label TV. Show all posts
Saturday, May 19, 2007
Saturday, May 05, 2007
The Reruns All Become Our History
This week's LA Times featured an article that appeared to take as a given that the American electorate is really, really stupid.
Fred Thompson is a very conservator former senator. He is also an actor, who has been working in movies and TV for decades. One of the roles he played, on the Stephen Cannell series WISEGUY, was a demigogue named Knox Pooley who led a neo-Nazi group of malcontents. I watched the story arc back in the eighties. It was most memorable -- to me -- for the whacked-out follower of Pooley who took hostages and then demanded, in quavering tones, "I ... wanna see ... Knox ... POOOOley!" A friend and I took to saying "Knox POOOOley" to each other as a punch line for weeks afterward.
This footnote in TV history has come to the forefront now, because folks are talking about fielding Thompson as a presidential candidate. And, believe it or not, people are wondering if opponents will use Thompson's WISEGUY role against him.
"How does a performer eyeing a presidential run deal with a video history that can be downloaded, taken out of context, chopped into embarrassing pieces and then distributed endlessly though cyberspace?" asks the article.
The reporter distinguishes Arnold Schwarzenegger's acting history as a killer robot, on rather snide grounds: "In some ways, Thompson is too good an actor and looks too convincing in the part — a problem Schwarzenegger never had."
Fred Thompson is a very conservator former senator. He is also an actor, who has been working in movies and TV for decades. One of the roles he played, on the Stephen Cannell series WISEGUY, was a demigogue named Knox Pooley who led a neo-Nazi group of malcontents. I watched the story arc back in the eighties. It was most memorable -- to me -- for the whacked-out follower of Pooley who took hostages and then demanded, in quavering tones, "I ... wanna see ... Knox ... POOOOley!" A friend and I took to saying "Knox POOOOley" to each other as a punch line for weeks afterward.
This footnote in TV history has come to the forefront now, because folks are talking about fielding Thompson as a presidential candidate. And, believe it or not, people are wondering if opponents will use Thompson's WISEGUY role against him.
"How does a performer eyeing a presidential run deal with a video history that can be downloaded, taken out of context, chopped into embarrassing pieces and then distributed endlessly though cyberspace?" asks the article.
The reporter distinguishes Arnold Schwarzenegger's acting history as a killer robot, on rather snide grounds: "In some ways, Thompson is too good an actor and looks too convincing in the part — a problem Schwarzenegger never had."
Thursday, March 29, 2007
In Outer Space Scenes, Are They Holding Their Breaths?
When I was a young kid, I heard or read somewhere that TV shows were filmed on a "stage." Since my parents had always been active in community theatre, my conception of a "stage" was a theater stage, with a curtain, a proscenium, and an audience. The misapprehension was amplified by the voiceovers that used to run after the opening credits to sitcoms ("_____ was filmed on stage before a live studio audience!") and variety shows like The Carroll Burnett Show, which showed the actors on a traditional theater stage.
One show that perplexed me was the late '60's Irwin Allen epic "Land of the Giants." I wondered how they were able to show giant people on a theater stage. Since I knew nothing of double-exposure photography, giant props, or forced perspective, I thought they used giant mechanical puppets. (I was an imaginative child.)
What brought all this to mind was cousin Lee Goldberg's blog post about conversations he had with members of the public at a library event -- including this one:
One show that perplexed me was the late '60's Irwin Allen epic "Land of the Giants." I wondered how they were able to show giant people on a theater stage. Since I knew nothing of double-exposure photography, giant props, or forced perspective, I thought they used giant mechanical puppets. (I was an imaginative child.)
What brought all this to mind was cousin Lee Goldberg's blog post about conversations he had with members of the public at a library event -- including this one:
A woman asked me if she could visit the set of MONK when she's in Los Angeles with her family. I said it wasn't open to the public.
"You mean it's not filmed in front of a live audience?" she asked.
"No, it's not," I said. "Haven't you noticed that it's shot outdoors as well as indoors and that you don't ever hear anyone laughing or applauding?"
She shrugged. "I just thought they were being very quiet."
Tuesday, January 09, 2007
Mr. Monk and the Best Episode Ever
You'll have to forgive my shamelessness in bragging about my family's accomplishments. It's just that my work-related accomplishments are usually either confidential or deadly boring (as I'm reminded when I try to share them with non-lawyers).
Anyway, cousin Lee Goldberg has revealed on his blog that fifty thousand USA Network viewers voted on their favorite episodes of MONK -- and the episode voted Best Ever is MR. MONK GOES TO MEXICO, co-written by Lee. Massive props and kudos to Mr. Goldberg.
Anyway, cousin Lee Goldberg has revealed on his blog that fifty thousand USA Network viewers voted on their favorite episodes of MONK -- and the episode voted Best Ever is MR. MONK GOES TO MEXICO, co-written by Lee. Massive props and kudos to Mr. Goldberg.
Saturday, December 23, 2006
Animating Actor
When a reunion special for "The Dick Van Dyke Show" ran a couple of years ago, I was nonplussed by a short segment where Rob Petrie showed off to his wife a silly computer animation of Dick Van Dyke dancing. It was the sort of story-stopping cute bit that I generally loathe. It had nothing to do with the character or the show, and I couldn't figure out why they would include it.
Well, in this sidebar to the (negative) review of Van Dyke's new movie, "Night at the Museum," the explanation becomes clear: Dick Van Dyke himself created the animation. Turns out that the actor has a fascination with animation and special effects that stretches back to "Mary Poppins"; and as a hobby he creates computer animation -- including segments of a younger version of himself dancing.
Well, in this sidebar to the (negative) review of Van Dyke's new movie, "Night at the Museum," the explanation becomes clear: Dick Van Dyke himself created the animation. Turns out that the actor has a fascination with animation and special effects that stretches back to "Mary Poppins"; and as a hobby he creates computer animation -- including segments of a younger version of himself dancing.
Friday, November 24, 2006
When Black Friday Comes
Since I live within walking distance of a SoCal mall, I dropped by this morning to witness the "Black Friday" orgy of consumerism. I got over there at 9:45 a.m., by which time the initial frenzy appeared to be over. I saw a lot of deals that made me reach for my wallet, then stop and think: "Do I really need this? Does anyone I know really need this? Where would I put it?" One purchase I could not resist: boxed sets of the MONK TV series for about $16 each at Suncoast, marked down from $60 each. I walked away with the first four seasons. (Not that I'm likely to watch them any sooner than our boxed sets of BUFFY THE VAMPIRE SLAYER, or the other DVDs sitting around our collection waiting to be watched . . . .)
Monday, October 02, 2006
Mis-spent Advertising Dollars?
Last night, I saw something that flabbergasted me: A TV commercial for Tito's Tacos. For those who don't live in the environs, Tito's is a landmark storefront Mexican restaurant in Culver City which literally has customers swarming the place -- and standing in line -- all day, every day. If there was ever a business that didn't need advertising, it's this one.
Saturday, September 30, 2006
Family View
Friday, September 22, 2006
"Shark" Chum
How can a production company and network shell out big bucks to hire James Woods as a star, and Spike Lee to direct the pilot episode -- and yet use a writer who either fails to research, or doesn't care, that:
1. The County of Los Angeles and the City of Los Angeles are separate governments.
2. The mayor of Los Angeles does not control the DA's office, much less have the power to create an elite prosecution unit within it. The DA controls that office; and the DA answers to the County Board of Supervisors, not the city government.
3. Ergo, ADAs are not city attorneys.
4. Felony prosecutions in California are not entitled "County of Los Angeles v. So-and-so." The State prosecutes felonies. The cases are entitled "The People v. So and so."
5. When felonies are tried downtown, they are generally tried in the Clara Foltz Criminal Courts Building. The courthouse shown in an establishing shot was the Stanley Mosk Courthouse -- which generally tries civil trials. The courtroom shown in the episode did not look like any courtroom I've ever seen in the Mosk courthouse.
6. When a prosecutor asks multiple argumentative questions, defense attorneys generally object-- more than a couple times.
7. A prosecutor who commits such misconduct as bribing bailiffs to obtain inside information about jurors (who somehow, strangely, were chosen before trial) is simply sowing the seeds for reversal on appeal.
8. Lawyers generally, y'know, practice law. There wasn't more than a thimbleful of law in this episode.
1. The County of Los Angeles and the City of Los Angeles are separate governments.
2. The mayor of Los Angeles does not control the DA's office, much less have the power to create an elite prosecution unit within it. The DA controls that office; and the DA answers to the County Board of Supervisors, not the city government.
3. Ergo, ADAs are not city attorneys.
4. Felony prosecutions in California are not entitled "County of Los Angeles v. So-and-so." The State prosecutes felonies. The cases are entitled "The People v. So and so."
5. When felonies are tried downtown, they are generally tried in the Clara Foltz Criminal Courts Building. The courthouse shown in an establishing shot was the Stanley Mosk Courthouse -- which generally tries civil trials. The courtroom shown in the episode did not look like any courtroom I've ever seen in the Mosk courthouse.
6. When a prosecutor asks multiple argumentative questions, defense attorneys generally object-- more than a couple times.
7. A prosecutor who commits such misconduct as bribing bailiffs to obtain inside information about jurors (who somehow, strangely, were chosen before trial) is simply sowing the seeds for reversal on appeal.
8. Lawyers generally, y'know, practice law. There wasn't more than a thimbleful of law in this episode.
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